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保存刀装具 Hozon Tousougu
神吉鍔Kamiyoshi Tsuba
No.999004神吉 竹透鍔Kamiyoshi Take(Bamboo) Sukashi Tsuba
- 極めKiwame
- 神吉Kamiyoshi
- 法量Size
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縦 7.83cm 横 7.34cm 切羽台 0.44cm 中心孔縦 9.85cm 中心孔横 2.73cm 重量 87g
Length 7.83cm Width 7.34cm Seppadai 0.44cm Nakaoana-Length 9.85cm Nakaoana-Width 2.73cm Weight 87g
- 国Country
- 肥後Higo
- 説明Drscription
- 竪丸形 鉄磨地 地透毛彫 丸耳
神吉派 藩命によって林家に入門し肥後細川家の抱え工となり江戸末期から明治の初年にかけて活躍した。
二代深信、三代楽寿は特に有名で技量も優れており、特に永寿は又七につぐ名工と称されている。
作風は鉄磨地で透かしと象嵌を極め、林派の作風を継承した出来である。地金の錆色も艶があり、肉置きも巧みで竪丸形、変り丸形、菊花形、変り木瓜形がある。図柄は、桐九曜、竹、松、桜、巴、四方蕨手、二十唐草などがある。Tatemarugata Tetsumigakiji Jisukashikebori Marumimi
Kamiyoshi school: By order of the domain, he entered the Hayashi family and became a laborer for the Higo Hosokawa family and was active from the end of the Edo period to the first year of the Meiji period.
The second generation Fukanobu and the third generation Rakuju are particularly famous and have excellent skills, and Eiju in particular is said to be a master craftsman second only to Matashichi. His style is Tetsumigakiji, mastering Sukashi and Zougan, and inheriting the style of the Hayashi school.The rust color of Jigane is also shiny. Nikuoki is also skillful and Tatemarugata, Kawari-Marugata, Kikkagata, Kawari-Mokkougata. The designs include Kiri(paulownia) kuyo, Take(bamboo), Matsu(pine), Sakura(cherry blossoms), tomoe, Shihou-Warabite(four-way warabi-te), and Niju-Karakusa(twenty arabesques).
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